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I m b u e S t u d i o
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K. E. M a r s z y c k i
Years of graduate school, administrative work and increasing automation
have all combined to drive me to create -- paintings, collages, photography and
more -- perhaps in frustration; perhaps in response.
Henry James once commented that the American Tonalists "experienced
landscape as a personal epiphany." I believe this is how I respond to the
natural world around me -- when a certain slant of light strikes the land or that
elusive movement of light on water -- this fleeting moment is what I try to capture
in my paintings.
Being an artist can be a humbling experience -- the more I know, the less I
am certain, and maybe that's a good thing -- to drop the confidence and feel the
work in wrist and arm, in elbow and shoulder, to let fly with color, to find sight
when blinded by ego -- humbling yet enervating.
I have studied with Carol Odel, Brian Colbath, Jack Broderick, Yuri Adams,
Joyce Silverstone and Gaynell Meij. Several times a year, I will immerse myself
in intensive workshops to keep my eye fresh and my spirit receptive to new ways
and means of expression.
My works are in the collections of:
Doherty Associates, LLC, San Francisco, CA
J. Romero, Lake Tahoe, CA
The Bee & Thistle Inn & Spa, Old Lyme, CT
Mr. & Mrs. Varkala, East Haddam, CT
R. Estep, East Haddam, CT
C. Carcio, Glastonbury, CT
S. O. Young, CT
S. Eisenman, CT
have all combined to drive me to create -- paintings, collages, photography and
more -- perhaps in frustration; perhaps in response.
Henry James once commented that the American Tonalists "experienced
landscape as a personal epiphany." I believe this is how I respond to the
natural world around me -- when a certain slant of light strikes the land or that
elusive movement of light on water -- this fleeting moment is what I try to capture
in my paintings.
Being an artist can be a humbling experience -- the more I know, the less I
am certain, and maybe that's a good thing -- to drop the confidence and feel the
work in wrist and arm, in elbow and shoulder, to let fly with color, to find sight
when blinded by ego -- humbling yet enervating.
I have studied with Carol Odel, Brian Colbath, Jack Broderick, Yuri Adams,
Joyce Silverstone and Gaynell Meij. Several times a year, I will immerse myself
in intensive workshops to keep my eye fresh and my spirit receptive to new ways
and means of expression.
My works are in the collections of:
Doherty Associates, LLC, San Francisco, CA
J. Romero, Lake Tahoe, CA
The Bee & Thistle Inn & Spa, Old Lyme, CT
Mr. & Mrs. Varkala, East Haddam, CT
R. Estep, East Haddam, CT
C. Carcio, Glastonbury, CT
S. O. Young, CT
S. Eisenman, CT
Gallery History:
Left Bank Gallery
Essex, CT
June-November 2010
Musee de l'Art du Collage
Brittany, France
May 2011
The Tart Gallery
New Zealand
April 2010
The Connecticut River
Museum, Painting the River,
Aug-October, 2009
The Cooley Gallery, Old
Lyme, CT (2008-9)
The Gallery at 85 Main,
Centerbrook, CT (2008)
Hartford Fine Art & Framing,
East Hartford, CT (2007)
Left Bank Gallery
Essex, CT
June-November 2010
Musee de l'Art du Collage
Brittany, France
May 2011
The Tart Gallery
New Zealand
April 2010
The Connecticut River
Museum, Painting the River,
Aug-October, 2009
The Cooley Gallery, Old
Lyme, CT (2008-9)
The Gallery at 85 Main,
Centerbrook, CT (2008)
Hartford Fine Art & Framing,
East Hartford, CT (2007)
Education:
MA, Trinity College, CT
MS, Southern CT State
University, CT
Post-graduate work,
University of Rhode Island
